Senin, 30 November 2009

Is it?

The title of my blog is:

WRITING IS A SCIENTIFIC ART

Is it?

The phrase is almost a contradiction. Science and art do not go together.

Obviously in screenwriting, there has to be a balance. You can't write a good film without some combination of writing ability and a knowledge of the film world.

I'd say script writing is the strictest form, but can you write a film having never seen a screenplay? The format would obviously be the biggest hurdle - without getting that right, you might as well give up now! But otherwise, is it possible?

What about forms of writing? Is it possible to write a novel without ever having read one? Or to write an amazing poem never having studied the rhyme or metre?

I'm no poet, but in the past I've written poems (as part of my creative writing modules at uni). Here's the only poem I've ever written that I consider to be remotely decent:

PARADISE

Alone.
Silent.
Still.

The words echo.
Empty lies falling on empty minds.
From their lips, through the garden.
Come crashing down into the world.

Piercing light above.
His that casts shadows on the truth below.
Forever in darkness.
Blissful ignorance of what could be.
Of what is.

Infinite guardians of His name on bended knee.
Choices made with unknown arrogance.
One word to disrupt the chaos
Blinding light further still
Free-falling through
Fear into freedom
Deceitful light
Casts no
Dark.

Alone.
Silent.
Still.

Choices made.
Attending eyes cast shadows from above.
Greeted by ruling light in the depths below:

Paradise.


It's not brilliant; anyone who says it's great is being overly generous. But it's not terrible either. It's average.

I've studied poetry (more than I'd like to) so I know the inner workings and technicalities of the craft. However, the poem above was written with chosen ignorance of all that. I didn't think about rhymes or stanzas etc. The only 'trick' I used was a visual one - the way the words fit on the page. Maybe that's because I'm a very visual person - a screenwriter afterall. Maybe. Maybe not.

So can a good piece of writing be written off talent alone? Scripts are very rigid, formulaic things, probably more so than any other form. Whereas poetry is often viewed as personal and emotive. I know people who write poetry who would never show me their work. They're not writing it for money or for people to see. They're writing it for themselves. Maybe they just like writing?

I attempted to create a hierarchy of writing, with the most formulaic, scientific forms at the top, ending with the more expressive, art-centered:
screenplays
radio plays
stage plays
novels
short stories
poetry
Do you agree? I'm not sure I do - the task is impossible! Too many variables.

On another note, what about short films and their scripts? Short films are to script writers what short stories are to novelists, yes? They are often written based on a single thought or emotion, whereas a 'full' piece requires a more......objective approach?

I really don't know. But I do know this:
Writing can be taught.

Writing is a balance between science and art.

Writing is a scientific art.

Strip your characters

That's right - strip 'em! Right down to their undies! Metaphorically speaking, of course. I'm not suggesting you go out, find your character and take all their clothes off!* I accept no responsibility for anyone cool crazy enough to do that!

I've heard of writers who create a character then follow a basic method to get to the heart of their new creation - interview them. Imagine you're the interrogator and they're sitting right in front of you all smug-like (depending on the character of course). You ask them all sorts of questions a cop might ask a murder suspect.

This forces the character out of their comfort zone and makes them address the issues they'd rather avoid. (NB - I say address here as opposed to answer, because some characters might stay silent)

I've never used this method, but I can see it would be a brilliant way to strip the character bare and see who they really are. I don't recommend you do this in a cafe though - you'll look a wee bit weird! But if anyone's brave enough to record themselves doing this, I'd love to see it!

SPOILERS: 'SUPERNATURAL' SEASON 3

Anyway there's a scene in 'Supernatural' that reminds me of this technique. Dean (Jensen Ackles) essentially argues with himself. Something that makes Dean cool is the clothes he wears, the way he acts, the music he listens to etc. That's who he is. But if you (the writer) decided to tear those aspects apart, what would happen? Probably this......



Notice how Dean (the real Dean) is stripped naked? (Sorry female readers, not literally!) He goes from his usual smart-mouthed self, complete with cocky attitude to a quivering wreck when forced to address the things he'd rather avoid. What was once cool about Dean is revealed to be.......pathetic(?) - the awesome Chevy Impala, the music etc

This scene also gets down to the heart of Dean's character. His sole goal in life (and in the series) is to look out for his little brother Sam. The writers never lost sight of that throughout the show and this played out brilliantly as a result.

And finally, address one of the most important issues when it comes to characters - fear. Your characters have to be afraid of something. That's what gives them something to lose in their journey. Whether it's not winning the football match, not winning the fight, not saving that damsel in distress, or - in Dean's case - becoming a demon.

Strip your characters down and take them to a place they'd do anything to stay away from. Expose their dark side. Make them overflow with emotion. That might result in buckets of tears, a psychological breakdown, a suicide or a blast in the chest from a sawn-off shotgun. Just please remember to take the proper precautions when interrogating your more violent characters - always wear a bulletproof vest (just not this one)!

Expose their fears and see what happens. There's a saying that goes "You don't truly know someone until you fight them." It's true to a degree. But I'd say "You don't truly know someone until you take them to an emotional place." Only then do you really know what a person is capable of.

Try this next time you want to really get to know one of your characters!

*Unless it's Buffy or Faith

Sabtu, 28 November 2009

What's your favourite season?

I recently started re-watching 'Buffy' from episode one, trying to squeeze in at least one ep a night. It's my way of keeping sane. I'm now up to the end of season 2. That's one of my earliest memories of exciting serial television - the whole Angelus saga really kept me hooked. When Buffy and Angel had sex and he woke up in pain. He screamed Buffy's name then turned into one hell of a bastard. He was of course, losing his soul.

My very earliest memory of exciting serial TV was 'Power Rangers' - the original, not those horrible sequel shows. It was the Green Ranger saga that was so cool - Tommy was a real badass before he became the poncy White Ranger. Good stuff!

So my question is - what's your earliest memory of exciting serial television? By serial I mean the show's ongoing storyline as opposed to a great episode of something. What show made you come back to find out what happened next?

Rabu, 25 November 2009

Jekyll & Hyde & Metallica

For a long time now I've had a tiny idea for a feature film. It happened approximately 0.23 minutes after finishing Robert Louis Stevenson's The Strange Case of Dr Jekyll and Mr Hyde for uni last year.Justify Full
The idea is definitely a modern take on the classic tale so there are some clear story ideas floating round. But I've been in no rush to get it down on paper. Is that a bad sign? If it was really good I'd not be able to help myself right? Of course, it's very hard and risky to attempt an original take on such a well-known work.

Anyway, the story's not going anywhere - I'll never forget the horror Stevenson creates in his Gothic novel. Then, earlier this week, I had an epiphany! Well, I say epiphany......what I mean is a writing epiphany, which is just one more idea that there's no time to write!

I was doing a bunch of uni work while listening to Metallica (as always). 'Sad But True' came charging at me from the CD player. I've heard it time and time before and know it off by heart so I sang along instinctively until the end. Then I thought "Huh.....". I played the track again, this time listening to every single word. Then I put the song on repeat and listened to it a further 10 times in succession.

Epiphany!

The similarities between Stevenson's Jekyll & Hyde and Metallica's 'Sad But True' are uncanny. James Hetfield (Metallica's frontman and songwriter) has always incorporated literary references into his work ('Enter Sandman,' 'For Whom The Bell Tolls' et al, but I've never noticed this before.

Have a listen/read to 'Sad But True' and you'll see what I mean:



I'm not going to rush the story, but if I can combine Louis Stevenson's terrifying story and Metallica's mind-penetrating anger, maybe.....just maybe......I can create something quite special.

Wednesday's Whedonism

I laugh in the face of danger, and then I hide until it goes away.

-- Xander (Nicholas Brendon), 'Buffy the Vampire Slayer'

Senin, 23 November 2009

Story 101

I'm preaching to the choir preaching the horse's mouth* here but sometimes it needs to be said - stories are very simple things.

A character wants something (a goal).

There are obstacles.

These obstacles do their best to thwart the protagonist at every turn. But he carries on no matter what. In the end, he "wins", or achieves his goal.

PROTAGONIST wants GOAL but OBSTACLES

Another point is that stories can or cannot have happy endings. But life doesn't have a happy ending.

If a story ends with a "they all lived happily ever after," fair enough. But really, it should go like this: "they all lived happily ever after......until the next obstacle reared its ugly head."

OBSTACLE > OVERCOME > NEW OBSTACLE > OVERCOME (ad infinitum)

There are no happy endings in life, so if your story has a resounding happy ending, maybe there's something wrong with it?

That's not to say there can't be happy endings (it all depends on your story and theme afterall), but this game makes my point.

Obstacles never stop coming and there are no happy endings. In the end you always turn into a fine mist / hit a wall / fall to your death. Enjoy......

PS: My top score is 6817 - let me know if you top that.

* 'Angel' reference

Sabtu, 21 November 2009

Weekly Interview (22)

This week it's not so much an interview as a video from the BBC film network. Follow the link to see a brief overview of the stock characters one might find in a horror film. Watch video.